![]() It’s just an excuse for Smith to fire comic darts at everything from Hollywood - the scene in which Affleck and Damon rag on each ther’s queer choices in roles while shooting a sequel to Good Will Hunting is a howl - to the Internet, which has allowed everyone in America to bitch about movies. Is there a point to all this? Not really. Then there’s the monkey, a smelly surprise to savor. Actors from other Smith films show up, including Carlin, Ben Affleck, Matt Damon, Jason Lee, Joey Lauren Adams and Chris Rock. As he tells Silent Bob, whom he refers to by such terms of endearment as Lunch Box, Fat Fuck and Tubby Bitch, “She’s the first woman I ever loved enough not to stick my hand down her pants.” So much for sentiment. For sex appeal, Pie girl Shannon Elizabeth suits up in leather to play Justice, the leader of Charlie’s Angels-like diamond thieves named Sissy (Eliza Dushku), Chrissy (Ali Larter) and Missy (Jennifer Schwalbach). Nothing resembling a linear story, of course, and there are the usual fart, weed and dick jokes, not to mention the references to Star Wars and the musical stylings of Morris Day and the Time, but in this film the camera actually moves. Asks Jay, “You eat the cock?” Hitchhiker: “If it’ll get me a few hundred miles across country, ure - I’ll take a shot in the mouth.”īudgeted at $20 million, Jay and Silent Bob Strike Back contains many remarkable things for a Smith movie. Example: George Carlin does a cameo as a hitchhiker who carries a sign: will give head for ride. ![]() His latest comic opus, Jay and Silent Bob Strike Back, is already drawing fire from GLAAD, the gay and lesbian anti-defamation group that takes offense at the film’s proliferation of queer jokes. The church still stands.Īnd so, happily, does Smith. Then the Catholics cried blasphemy in 1999 when Dogma was released and he had cast Alanis Morissette as a mute and vengeful God. Smith’s subsequent films, Mallrats and Chasing Amy, consolidated his image as a dangerous influence on tender minds. Clerks, his 1994 launch as a writer and director, not to mention his acting debut as Silent Bob alongside Jason Mewes as his hetero life mate Jay, was a $27,000 production that had media watchdogs howling over its foul language. This sly, fearless satirist from New Jersey can’t make a movie without getting his ass kicked by special-interest groups. You can't take it back.Kevin Smith must be doing something right. ![]() Half's not enough? Fine, I'll give you two-thirds of what I make.įuck you, you already said half. Tell you what: let's settle this monetarily. Well, we want somethin' for our mental anguish. Ergo, you find yourself in a VERY actionable position. As you failed to do that, Banky, you are in breach of the original contract. We had a deal with you on the comics, remember? For likeness rights? And as we're not only the artistic basis, but also obviously the character basis for your intellectual property, "Bluntman and Chronic," when said property was optioned by Miramax Films, you were legally obliged to secure our permission to transfer the concept to another medium. But Miramax - you know, Miramax Films - paid me a shitload of money for "Bluntman and Chronic." So it occurs to me that people badmouthing you on some website is NONE OF MY FUCKING CONCERN! ![]() You know what? I feel for you boys, I really do. Fuckin' we stole a monkey, we got shot at, and I got punched in the motherfuckin' nuts by a guy named Cockknocker! This isn't fair! We came to Hollywood, I fell in love. That's what the Internet's for, slandering others anonymously! Stopping the flick isn't gonna stop that! All these assholes on the Internet are callin' us names because of this fuckin' stupid movie.
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